It was 1973 and Stanley Clarke just got his first short scale Alembic. Your world changed the first time you listened to it, and you just couldn’t get that sound out of your head. That sound was Stanley’s amazing talent and tone. Part of that sonic memory was because he was playing an Alembic bass, and it may have been the first time you ever heard one.
When you pick up a Stanley Clarke Signature bass you immediately notice how easy it is to play. That’s largely due to the short scale length. At 30.75 inches, the scale length is exactly what Stan plays, to the surprise of many. When the frets are closer together, your fretting hand can enjoy a less stretched position at the lower frets, which is a joy for hands large and small alike.
The Stanley Clarke Signature basses are also natural choices when you want to tune tenor or piccolo style. But don’t think for a minute that this little bass can’t handle standard tuning like a champ, with plenty of low-end and sustain. Ideas you may have about short scale basses through your past experience with other makers will be reset once you play an Alembic short scale.
The Standard and Deluxe versions are similar – the pickups, electronics, feel and size are in fact identical. Where they differ is in the wood choices and lamination patterns. The default neck size is our narrow taper, but you can always custom order to suit your needs. Both versions use Maple as their primary neck wood. The Deluxe model has both top and back body laminates, as well as two Purpleheart neck laminates.
Brown Basses are a nod to Stanley’s second Series I bass from 1974, serial number 80 (sadly, his first one was stolen shortly after he got it). It’s the bass on the cover of “If This Bass Could Only Talk” and as his original Brown Bass it continued his love affair with short scale which has endured through his forty-plus years with Alembic. There are decorative departures from other Signature models, like the slightly flattened 1974 template for the body and the placement of the pickup selector on the lower horn. Just like serial number 80, Brown Basses use Mahogany as the primary neck wood for a more rounded and warm tone. Simple three-piece body construction is elegant paired with the traditional hand-rubbed oil finish. You’ll notice the electronics are different as well, with individual volume controls, a pickup selector switch, and a switchable stereo/mono output.
For the Retro Stanley basses, we’ve used the 1973 body template with the more curved horns. The oil finish adds to the old-school vibe. The Retro’s neck is a classic combination of Maple, Walnut, and Birch for even tone with plenty of attack.
Alembic is the original custom shop, and these standard features are but a springboard for your own ideas. All aspects of our basses are crafted under one roof, and any feature can be custom made to your specifications.
Other specifications include:
- Short Scale 30.75
- Nut 1.5″, 24th 2.151″
- Fretted
- Ebony Fretboard
- Abalone Oval Inlays
- Top Laminate Buckeye Burl
- Accent Woods Maple – Purple Heart
- Body Wood Mahogany
- Neck Woods Maple – Purple Heart
- Clear Gloss Finish w/ Satin Neck
- Side LEDs blue with Red @ 12th & 24th Fret
- Continuous Wood Backplated
- Beveled Front & Back of Peghead
- Volume, Pan, 2 Filters, 2 Q Switches, Mono Output, On/Off for LEDs
- Hard Case For Small Body
- 8 lbs 11 oz
Examples of the Stanley Clarke Signature Bass
BROWN BASS and RETRO
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STANDARD
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just...BASS! 